Berenice Abbott, Manhattan Skyline II, silver print, 1937. Estimate $6,000 to $9,000.
Upon returning to New York in 1929, Abbott embarked on a new artistic direction that employed Atget as her muse. She set out to document the city's historic and colorful structures before they were razed and recorded its changing skyline. Abbott's cool, stunning visual approach was beyond the ken of “the art boys” (Stieglitz and Steichen), who did not accept Abbott’s non-nonsense documentary approach as fine art. She said, "Photography can never grow
up if it imitates some other medium. It has to walk alone; it has to be
itself.”
Berenice Abbott, Under the El at the Battery, New York, 1936. $2,500 to $3,500.